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BLUE
MAN GROUP
LUXOR

Blue
Man Group opened a new show in Las Vegas in March 2000. The show,
titled "Blue Man Group: Live at Luxor," takes place
at the 1,200-seat state-of-the-art Luxor Theatre. The new production
contains a hybrid of new material as well as "signature"
pieces from Blue Man Group productions in New York, Boston and
Chicago.
Blue
Man Group founders Matt Goldman, Phil Stallton and Chris Wink are
heading West with the ambitious goal of taking both their show and
the city of Las Vegas to a whole new level. Blue Man Group's mission
in Las Vegas is exemplified by one of the new pieces; in it, the
Blue Man character brings an enormous neon-like landscape to life,
and transforms it into the site of an intense "techno-tribal'
ritual. Startton explains, "When the Blue Man takes the neon
sign and turns it into something else, something primal, exciting
and unexpected, this mirrors our goal of transforming the Las Vegas
scene by bringing an uncharacteristic and innovative experience to
the Strip."
Music
plays an even larger role in the Las Vegas production than it has in
previous Blue Man Group shows. "Blue Man Group: Live at Luxor"
features a number of the new musical instruments developed by Blue
Man Group for their debut album, "Audio," including
"Back Pack Tubulums" (pronounced "tube-you-lums'),
"Airpoles" and the three-story high "Drum Wall."
Blue Man Group's band, which currently consists of three musicians,
expands to seven and the sound system will include the latest
innovations in surround sound technology. The result, according to
Wink, is that "the music in the Vegas show will reach a level
of tribal density that until now, Blue Man Group has only hinted
at."
Goldman,
Stanton and Wink chose Luxor after considering dozens of theaters
throughout North America. "Luxor's size and technical capacity
are just right for our new material and we have excellent chemistry
with Glenn Schaeffer (President/CFO of Mandalay Resort Group) and
the management of Mandalay Resort Group," Goldman said.
"The timing feels right; Las Vegas has shown that it is ready
to move in new directions." Wink added, "Now that Vegas
has expanded its cultural palette and embraced Broadway-style
legitimate theater, it feels like a good time to introduce some
illegitimate theater."
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